Hails,

Danishmendt (France - Cold Void Emanations/Odio Sonoro) and Valborg (Germany - Zeitgester Music) will be touring together from Wednesday 20th of April untill Sunday 24th :

April 20th : Bonn @ Bla
April 21th : Munchen @ Sunny Red
April 22th : Le Thillot @ Chez Fat
April 23th : Lille @ Le Détour
April 24th : Bruxelles @ Magasin 4



Danishmendt:
After an EP and a self-released debut album, Danishmendt comes back in September 2010 with their third album, Un Passé Aride.
In that release, Danishmendts crafts nihilistic and post-apocalyptic ambiances through eight brooding and crushing episodes depicting a journey into obsidian fields and desolated cities.
Sonically inspired by masters such as Neurosis, Blut Aus Nord, Swans or Cindytalk the band offers challenging pieces of music, led by dissonance and disgust in all their aspects rather than submission to any genre.
After having played hrough the years twith bands like Made Out of Babies, Overmars or Planes Mistaken for Stars, Danishmendt will be back on stage late 2010 and through 2011 everywhere they will appear.
Listen to the whole new album on their myspace and website:
http://www.danishmendt.com
http://www.myspace.com/danishmendt


Valborg:
After their tough, heavy and black rock colossus „Glorification Of Pain“, the trio from Bonn/Germany released their second long player. Just like its predecessor, „Crown Of Sorrow“ was again recorded live on analogue tape recorder. Sound-wizard Oliver Weiskopf produced this album with a puristic and unadorned sound,full of room and immediacy. Mastering was done by Tom Kvalsvoll at Strype Audio, Oslo. He has worked with bands like Ulver, Red Harvest, Emperor, Aura Noir, and Arcturus amongst others.

They already raised much attention with their debut, and won praise from the highest authority. This is what Celtic Frost frontman Tom Gabriel Fischer, who invited them at Roadurn 2010, wrote after seeing them live:
„I instantly felt an intimate connection to the music and became deeply drawn to the album’s density, darkness, and minimalism.
(...) To anyone receptive for such infestation, as I was, the rawness and nihilism emanating from the stage was fiercely addictive. It was almost as if witnessing a mixture of Bohren und der Club of Gore, early Black Sabbath, and Hellhammer. And yet Valborg are abundantly original and unique.“
http://www.myspace.com/siebengebirge