!100 tickets max available! NOISENOISENOISENOISENOISENOISE.

http://www.willemeen.nl/programma/2013-04-17/wolf-eyes-usa-subpop-american-tapes-supports

Wolf Eyes began as a solo project of former Nautical Almanac member Nate Young, with Aaron Dilloway joining in 1998, and John Olson in 2000. The group has released over 100 recordings in their relatively short lifespan. Official releases have appeared on labels such as Bulb Records, Troubleman Unlimited, Fusetron, and Sub Pop as well as on Olson's American Tapes label, Dilloway's Hanson Records, Mike Connelly's Gods of Tundra label and Nate Young's AA Records. Connelly (also of Hair Police) replaced Dilloway in early 2005, due to the latter's departure for Nepal to make arrangements for his marriage. Dilloway is no longer an active member of the group but he did some production work on their 2006 Sub Pop album Human Animal. and has performed with them on at least two occasions (Empty Bottle Chicago, IL 2/25/2006 and No Fun Fest Brooklyn, NY 3/18/2006).

John Olson also performs in Dead Machines with his wife Tovah Olson. Nate Young performs solo as Hatred and with Steve Kenney and Alivia Zivich in the visual music group Demons.

It was announced in February 2013 that Mike Connelly has left the group to concentrate on his solo work and Hair Police. He is replaced in the line up by another Michigan musician Jim Baljo.

Wolf Eyes' first two major tours were with Sonic Youth and Andrew W.K. They have also collaborated with Anthony Braxton.

Journalist Marc Masters discerns the influence of "the dirge of Swans, the clang of Einstürzende Neubauten, even the dark hardcore of the Misfits" on the group's sound.

In an article for Spin Magazine Henry Rollins named member John Olson's noise bands in a column about his 5 favorite bands stating "The guy has over 1,000 releases on his label, and I have almost 700 of them. I have a great deal of time for all of these noise terrorists — it's modern avant-meets-stoners in a basement...."

Nick Cain of The Wire characterizes Wolf Eyes as
“ an ungodly Noise hybrid which sucks fragments of US hardcore, Industrial, free jazz ..., avant garde electronics and Death Metal into a sonic vortex. Cloaked in cartoonish horrorcore imagery, their music's obvious delight in its own intensity is as infectious as it is puerile ”
Distribution

Most Wolf Eyes recordings are self-released, following the DIY tradition of bands such as Smegma. Their first major release was Dread, released on the American Tapes and Hanson Records labels but distributed through Bulb Records. Other major releases include Dead Hills on Troubleman Unlimited as well as Burned Mind and Human Animal on Sub Pop. Most Wolf Eyes recordings are released as either lathe cuts, cassettes, or CD-rs.







[Dit bericht is gewijzigd door Greycloak op 12-03-2013 14:04]

Dit zijn pioniers van de noise scene, ik kan dus niks ander dan aanwezig zijn

[Dit bericht is gewijzigd door GrindFeast op 02-04-2013 18:38]

quote:

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Op 2 april 2013 18:28 schreef GrindFeast het volgende:
Dit zijn pioniers van de noise scene, ik kan dus niks ander dan aanwezig zijn

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Hahah dat is correct!